Fred Hersch - piano
John Hebert - bass
Eric McPherson - drums
Tracklist:
01. You & the Night & the Music
02. Floating
03. West Virginia Rose (For Florette & Roslyn)
04. Home Fries (For John Hebert)
05. Far Away (For Shimrit)
06. Arcata (For Esperanza)
07. A Speech to the Sea (For Maaria)
08. Autumn Haze (For Kevin Hays)
09. If Ever I Would Leave You
10. Let's Cool One
Palmetto Records, 2014
There's no arguing the considerable merits of pianist Fred Hersch's Alive at the Vanguard (Palmetto Records, 2012) or his Alone at the Vanguard (Palmetto Records, 2011), trio and solo efforts respectively, both recorded live at the legendary Village Vanguard, home of so many classic live sets. Hersch is at the height of his artistic powers in the place. It seems a consensus opinion that "Live" is better, an idea that has picked up credibility with the technical evolution resulting in very nearly studio quality sound for the documentation of concert recordings. No more murky sonics injected with those "tinkling ice, background chatter" crowd noises that can be heard on so many of the live offerings from yesteryear.
But let's not downplay the studio, especially in Hersch's case. His Whirl (Palmetto Records 2010) isn't Hersch's most lauded recording—that accolade probably goes to his ambitious larger ensemble offering Leaves of Grass (Palmetto Records, 2005). But Whirl is a studio piano trio recording put together to perfection to simulate a tight live set. And Floating is more of that, with the same trio—Hersch joined by John Hebert on bass and drummer Eric McPherson—going even deep in that mode of operation.
The trio opens with a touchstone, the familiar "You and the Night and the Music," laid down in an unfamiliar way—spiced up and rollicking. Saucy. A version to bring a smile, that gives way to the title tune, a Hersch original. The sound is a fluid, frictionless momentum that does indeed evoke the sensation of weightlessness, of notes floating on clouds. Music played on the moon.
Hersch is a marvelous tune-smith, writing in a variety of styles and moods, while maintaining the cohesion of the "set." "West Virginia Rose," dedicated to Hersch's mother and grandmother, plays with Appalachian themes. "Home Fries" slides down south to Louisiana with its second line New Orleans feel, and is dedicated to bassist Hebert, who hails from the Baton Rouge. The trio really lets go and lets it rip on the tune, before moving into the wistful, delicately drawn "Far Away," a piece that Hersch wrote for the late Israeli pianist Shimrit Shoshan. The pianist's touch here is deft and delicate beside McPherson's subtle brushwork and Hebert's steady, dreamy patience on the bass.
Three more distinctive originals are played out before the trio shifts back to the familiar, with a gorgeous, understated version of Lerner and Lowes' "If Ever I Would Leave You," and then closing with Thelonious Monk's "Let's Cool One," sounding refined and playful and devil-may-care on this perfect close out to a superb piano trio set.
Review by DAN MCCLENAGHAN
http://www.allaboutjazz.com/floating-fred-hersch-palmetto-records-review-by-dan-mcclenaghan.php#.U83ecuOSyQ4
To celebrate the 75th anniversary of Blue Note, project Jazztronik of Ryota Nozaki of pianist / DJ / producer known as the key figure in club culture of Japan, classic hits songs Brazil challenged the theme of Brazilian music, which is also the roots of its own New long-awaited album was a cover song!
Tracklist:
1. Mas Que Nada
2. Samba De Flora
3. Upa Neguinho
4. Aquelas Coisas Todas
5. Aguas De Marco
6. Estrelar
7. Jazz Carnival
8. Open Your Eyes You Can Fly
9. Menina Ilza
Blue Note, 2014.
野崎良太為Blue Note75週年所做紀念盤。
Jazztronik是一隻成員不固定的樂隊（除了領軍鋼琴野崎良太）
剛好世界盃今年在巴西舉辦
專輯名Vamos La Brasil（去巴西吧！）非常之應景哈哈～
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