2015年6月20日 星期六

Esther Satterfield with Chuck Mangione - Love Is Stronger Far Than We




這一曲,應該是十年前第一次聽到
驚 ! 為 ! 天 ! 人 !!!

歌者出碟聊聊可數,已退隱江湖許久
托科技之福,終於可以在YouTube上找到!

 Love Is Stronger Far Than We (法文Plus Fort Que Nous)
作曲 - 法國作曲家Francis Lai
(A Man And A Woman, Love Story的作曲呀)
作詞:Rodel Naval(賓賓來的~)

不知坊間如何翻譯這隻歌名
在下一直自說自話稱之為『愛情離我們無比遙遠』
It's true!

明天就要飛了
午夜開始理行李,一邊聽著今天買到的黑膠
最後是這一隻歌























Cannonball Adderley這張,喜愛了很久
























Bill Evans & Jim Hall 這張限量版黑膠,居然是白色的!
限量發行1千張, 我這張編號595.


明天好像是粽子節
祝 快樂!

2015年6月16日 星期二

Bugge Wesseltoft - Yellow is the colour




From album "Moving" released in 2001 by Jazzland.



























Personnel:
Bugge Wesseltoft (Piano, Fender Rhodes, Synthesizers, Samples, Programming and Voice)
Anders Engen (Drums)
Jonas Lönna (Drum Programming)
Paolo Vinaccia (Percussion)
Ingebrigt Flaten (Double Bass) - 2,6
Marius Reksjo (Double Bass) - 1
Hakon Kornstad (Tenor Saxophone) - 3

Tracks:
1.  Change (Bugge Wesseltoft) 10:25
2.  Gare du Nord (Bugge Wesseltoft/Anders Engen/Ingebrigt Flaten/Jonas Lönna/Paolo Vinaccia) 12:40
3.  Yellow Is The Colour (Bugge Wesseltoft) 10:40
4.  Lone (Bugge Wesseltoft) 10:05
5.  Moving (Bugge Wesseltoft/Anders Engen/Ingebrigt Flaten/Jonas Lönna/Paolo Vinaccia) 12:58
6.  South (Bugge Wesseltoft) 8:06

Jazzland, 2001


Moving narrows focus from the uneven eclecticism of previous Wesseltoft records, concentrating on live in the studio performances from a seasoned touring outfit. The results are engaging if not quite 'the new conception of jazz' that's been promised by Bugge (pronounced 'Boogie', if you were wondering) and his mates.

Whatever, this music avoids the usual chilly atmospherics associated with Nordic jazz; the band set up infectious, often house derived grooves which, coupled with Wesseltoft's plangent electric piano on the opening "Change", superficially echo the likes of St Germain, except that the improvisational skills on show here are miles ahead of the usual jazz housers.

Wesseltoft is the featured soloist throughout but he's more interested in episodic bursts and textures than thematic development; his synth stylings on the almost-techno title track recall ambient pioneers Cluster.

"Yellow is the Colour" features Hakon Kornstad's Pharoah Sanders-esque tenor stylings and is simply beautiful - a sampladelic recasting of classic Impulse jazz which sounds completely unforced. Ingebrigt Flaten's springy, warm double bass playing is a joy throughout. Beautiful.


BBC Review By Peter Marsh
http://www.bbc.co.uk/music/reviews/6x25


ずっと好きだった思い出の曲、、、

2015年6月10日 星期三

Giuseppe Bassi and Domenico Sanna - Just You Just Me (2015)

























Personnel:
Double Bass - Giuseppe Bassi
Piano - Domenico Sanna


Tracklist:
01. Humboldt Street #63 (6:17)
02. Ciro Chi (7:29)
03. Lush Life (7:13)
04. Zhong Kui Blues (5:55)
05. Isfahan (5:49)
06. NYC Subway Love Song (5:31)
07. Too Close For Comfort (5:28)
08. Reginella (3:00)
09. Just You, Just Me (5:53)
10. Cattiva's Lullaby (5:33)
11. Day Dream (4:45)

Albore Jazz, 2015






Giuseppe Bassi said:

For 10 years, I’ve never had an urge to make CD as leader. I needed an encounter. Then, I met Domenico Sanna. I talked about my favorite music and shared all with him. To remember such our encounter, we decided to enter into studio, in duo, in which the swing, melodies, interplays can be more intimate and crystallized. I hope people don’t care absence of drums, instruments developed for, and with jazz. We played some standards and our compositions, where swing combines with our sentiments totally set free. We hope that attentive and disengaged listeners could enjoy every moment of this CD, played by heart.


All about Giuseppe Bassi (Bari 1971):

He studied at the Conservatory of Music N. Piccinni in Bari, graduating in music theory, he studied privately with bassists in jazz world renowned as Ray Brown, Dave Holland, Christian McBride.

Bassi lived in New York city for about four years.

His concert career began in 1988, but starting from 1990 it became assiduous and constant.

He performed in fact in 1991 in the prestigious and historic jazz club “Strange Fruit” in his town Bari. With Roberto Ottaviano, he began to frequent the most important stages of festivals and jazz clubs most representative of all Italy.

Giuseppe Bassi, has performed and recorded with some of the greatest jazz musicians in the world including: Lew Tabackin, Bill Mays, Don Friedman, Bobby Durham, John Hicks, Jed Levy, Joe Magnarelli, Helen Sung, Mark Soskin, Bill Goodwin, Billy Drummond, Greg Osby, John Hicks, Mal Waldron, David Liebman, George Garzone, Tony Scott, Harold Danko etc…

He has played and recorded with all the most important and representative jazz musicians in Italy: Enrico Pieranunzi, Dado Moroni, Francesco Cafiso, Roberto Gatto, Fabrizio Bosso, Stefano Bollani, Gianni Basso, Dino Piana, Franco Cerri, Maurizio Giammarco, Gegè Telesforo, Rosario Giuliani, Roberto Ottaviano etc.


義大利低音大提琴遇上義大利鋼琴。
他說:10年來我從未有過衝動想以leader身份出一張CD。
I needed an encounter.
我需要一個不期而遇。

一個義大利男人(Giuseppe Bassi)在紐約
與一個英國男人(Sting)在紐約
包括我自己在內,人們對紐約都有不同情意結

一定是因著某種契機Bassi寫下了這一曲『紐約地鐵情歌』
如他自己形容:played by heart.

Bravo & Grazie!

2015年6月5日 星期五

やくそく


今日から、もうゲームやらない。

2015年6月1日 星期一

Lionel Messi, Amazing Solo Goal !



Bravo~~

癒し系。。。



通常不會為喜愛的樂手分類
在我的字典裡只有喜歡 與 不喜歡
但Richie Beirach絕對是治愈系
因為他在我最低落的時候曾多次治愈了我
而且不是刻意,完全偶遇

一次次,會在獨處時想起父親
或許因為那時可以肆無忌憚地流淚
當我跪下把臉貼在他冰涼的手上
記得,身邊有好心人輕聲提醒說,不要讓淚水滴在往生的人身上
至今無法記起我是如何做到的。。。
從此,沒有什麼可以打倒我